Building Of The Month - October 2015 - Leagaun House

The House

The Leagaun House, an architectural critique of the typical one-off house in the Irish countryside, offers an important model for a more subtle reading of local vernacular contexts and how contemporary residential architecture can benefit by building upon the traditions of the land. As English critic Justin McGuirk put it when judging the AAI Awards in 2013: “It’s muscular, elemental, a wonderful reinvention of a traditional farmhouse.”

“Our client was a retired school principal who, having moved away during her working life, wished to retire to the farm in Leagaun where she had grown up in a farmhouse of the middle size,” says Ryan Kennihan. But the character of the area had been progressively changed in the interim by modern bungalows. “She wanted from us not to get what was happening everywhere else around,” he says.

“She pointed out local features, including the family’s old south-facing, three-sided farmyard,” he says. “I was interested in this courtyard idea as a formal and organisational strategy. But more than that, as a response to the environment, providing shelter from the wind, and also the construction methods available there. The walls of the tin-roofed sheds were built of standard rubble, and somebody had poured a cap of concrete on top to hold it all together.” Another partially broken-down wall had been repaired in mid-century by lifts of rough, dribbley concrete, each about 300mm deep, poured day after day. And there were also the remains of a local handball alley nearby.

“I was interested in the idea of making something striking. One way, within a familiar language, is to put weight or height on the corner.” From the courtyard the concrete forms look demure. From outside, however, the striking fins of gables and chimneys look positively stately, with some echoes of the nearby handball alley (while simultaneously, in one of the photographs, there is even a hint of the exoticism of Luis Barragán’s majestic equine villas). “That’s the point of engaging with the local building culture,” says Kennihan, “to draw these kinds of things out. The reverberations exist not where you planned it. You arrive at something not ordinary but somehow still familiar, ultra-modern but yet something that could always have been there.

“Inside the walls is a refined, crisp zone, a sort of order in the wild,” he says. Metaphorically, the courtyard lawn replaces the farmyard of yore, the surrounding wild meadows the farm of his client’s childhood. The Leagaun House walks a fine line between informal architecture and the formal – the Palladian influence on Georgian country houses or the formality of two-storey cottages, symmetrically fronted and with tall windows and a cornice, for example. “It’s not the same as the humble vernacular,” he says. “It’s aspiring to high architecture. The colonnade blows that line of the humble vernacular. When the glass wall is opened up, the threshold is beyond. It makes for a deep shadow, a deeper connection with the outside.”

As the architect’s website puts it, by conversing with familiar types in this way, one can create an affecting architecture without the need for spectacle, allowing buildings to participate in a cultural continuity, expanding upon, and engaging in discourse with, the existing fabric rather than insistently standing apart from it.